Alexander Loney, «Narrative Structure and Verbal Aspect Choice in Luke.», Vol. 18 (2005) 3-31
In order to represent the actions of past-time narrative, Luke can choose
to employ either the aorist or the imperfect tense, that is, either the perfective
or the imperfective aspect. By selecting one tense over the other Luke
manipulates verbal aspect to give organization to his episodic narrative and
to create contrastive prominence (enargeia) within individual pericopes. In
this way, he follows in the tradition of his historiographical predecessors
–most notably Thucydides– who, through their subtle play with verbal aspect,
composed narratives concerned with at once the factual representation
of the past and their own contemporary, didactic purposes.
19
Narrative Structure and Verbal Aspect Choice in Luke
Turning again to Luke 4,1-2, we see this cadential pattern of usage
present. An aorist verb of motion ( Ï€ στÏεψεν) leads the construction
and indicates a finite, factual event that marks the beginning of a new
pericope. Following on this verb, the two imperfective verb forms ( γετο
and πειÏαζ μενος), in addition to giving background information,
heighten the level of the discourse by switching to an internal perspec-
tive. The audience views the actions of Jesus as they transpire and es-
sentially is given a foretaste of the rest of the pericope, where Jesus, while
in the power of the spirit ( γετο ν τ πνε ματι), is tested by the devil
(πειÏαζ μενος Ï€ το διαβ λου)51. Then in v. 3, the aorist φαγεν, as
previously discussed, changes the perspective of the discourse back to
the external, and the remainder of the pericope proceeds in the diegetic
mode, carried by aorists. This, then, serves as a model for the boundary-
marking cadence of aspect change present throughout the fourth chapter
of Luke, as will be detailed below.
It should be noted that, although it is common to have two separate
cadences between pericopes, one closing the previous episode and the
other introducing the following one, sometimes a single cadence serves
a dual purpose of performing both discourse functions of closure and
introduction. In such a case, the pericopes can be said to overlap one
another to the extent that the same, single cadence is fully a part of both
of them52.
In a recent study, Bruce Longenecker has noted an overlapping feature
of Lukan style, or rather a “‘chain-link’ interlockâ€53, to use his terminol-
ogy, which serves as a transition between sections of the narrative. Just as
I have shown connections between Lukan stylistics and features found in
Thucydides, Longenecker makes a connection to the literary Greek and
Latin of the rhetorical criticism of Lucian and Quintilian, the sources
for his “‘chain-link’ interlock†notion. He suggests that Luke evinces this
overlapping structure in four places in Acts, with both large-scale over-
51
Bock, following Plummer, states that the fact that πειÏαζ μενος is imperfective in-
dicates that the syntactically ambiguous phrase “for forty days†applies both to “was ledâ€
( γετο) –also imperfective– and “being tested†(Luke, 369-70). This is to confuse the ref-
erential nature of the action signified –its Aktionsart– with its subjective characterization
–its aspect–. Luke renders both of these actions imperfective on account of their discourse
function. They are both part of the second half of his opening cadence of the pericope. That
φαγεν is an aorist indicates that events occurring over the forty days could be verbalized
as perfective. See also n. 31.
52
Bovon has noted this feature, drawing attention to how v. 44, among others, can
be taken in either the preceding pericope or the following, although his analysis is not
developed on this point (Das Evangelium, 217-18).
53
“Lukan Aversion to Humps and Hollows: The Case of Acts 11.27–12.25â€, NTS 50
(2004) 185-204.