Alexander Loney, «Narrative Structure and Verbal Aspect Choice in Luke.», Vol. 18 (2005) 3-31
In order to represent the actions of past-time narrative, Luke can choose
to employ either the aorist or the imperfect tense, that is, either the perfective
or the imperfective aspect. By selecting one tense over the other Luke
manipulates verbal aspect to give organization to his episodic narrative and
to create contrastive prominence (enargeia) within individual pericopes. In
this way, he follows in the tradition of his historiographical predecessors
–most notably Thucydides– who, through their subtle play with verbal aspect,
composed narratives concerned with at once the factual representation
of the past and their own contemporary, didactic purposes.
Alexander C. Loney
10
At the outset of my application of this paradigm to Luke, one major
objection needs to be addressed. Is it anachronistic to apply the model
of usage of a sophisticated and literary classical Athenian historian of
500 years prior to that of the much later, provincial evangelist? This is a
serious objection. However, cognizance of a few considerations will make
it clear that this classical paradigm can obtain in the Lukan narratives
as well.
It is, of course, clear that Luke has not written an elaborate, Thucy-
didean history. Nonetheless, Luke displays a qualified literariness and an
awareness of historical convention that indicates at the very least famili-
arity with classical tradition, especially historiography22. The preface to
his gospel (1,1-4) most demonstrably makes the case for Luke’s ability to
use the conventions of Greek historiography, both the linguistic (as it is
a single, periodic sentence with a balanced, hypotactic structure) and the
topical (as it references preceding writers on its subject and the author’s
own investigation, claims to be a narrative, purports a didactic purpose,
etc.)23. Such an affinity for the stylistic conventions of the Greek historio-
graphical tradition, which reached its zenith in Thucydides, is sufficient
to demonstrate the plausibility of Luke’s adopting an adapted form of
one of these conventions. Bakker notes that the model of two modes of
discourse that he finds in Thucydides is not exclusive to Thucydides. It is
only most formally developed in him24. Furthermore, Bakker allows that
the interplay of these two modes is often more subtle than he delineates
for the sake of his analysis25. In other words, this discourse system is not
an exclusively Thucydidean feature and Luke need not have first-hand
knowledge of Thucydides in order to participate in the tradition. My the-
22
Much ink has been spilled on the subject of Lukan style and whether he generically
qualifies as a historian. For a useful summary of the different positions taken on the subject,
see J. Green, The Gospel of Luke (Grand Rapids 1997) 1-6. Without listing a full bibliogra-
phy at this point, it is uncontroversial to say that Luke aspires to the historiographical in
some capacity.
23
The preface’s position in literature has been much discussed as well. Among the
studies that consider generic classification are L. Alexander, “Luke’s Preface in the Context
of Greek Preface-Writingâ€, NT 28 (1986) 48-74, which places Luke among the scientific
writers; T. Callan, “The Preface of Luke-Acts and Historiographyâ€, NTS 31 (1985) 576-81,
which places Luke alongside Sallust and Josephus and very near indeed to Thucydides;
and H. Cadbury, “Appendix C: Commentary on the Preface of Lukeâ€, in F.J. Foakes and
K. Lake (eds.), The Beginnings of Christianity. Part 1: The Acts of the Apostles (London
1922) 489-510, which has not yet been surpassed in its description of the preface as artistic
literature, placing Luke-Acts in the continuum of Hellenistic history.
24
“Verbal Aspectâ€, 28-29. Bakker makes use of a variety of Greek sources other than
Thucydides to formulate his system, including Homer, Euripides, Aristophanes, Herodotus,
and Plato (see especially Ibid., 19-27).
25
Ibid., 29.