Terrance Callan, «The Style of Galatians», Vol. 88 (2007) 496-516
Especially since the publication of H. D. Betz’s commentary in 1979 much attention has been given to rhetorical analysis of Paul’s letter to the Galatians. Discussion has focused on the species of Galatians’ rhetoric, i.e., whether it is forensic, deliberative or epideictic; little attention has been given to its style. This paper is an attempt to supply that lack. It begins by describing stylistic ornamentation of Galatians with respect to vocabulary and syntax and proceeds to discuss the presence of plain, middle and grand styles in Galatians. Finally it considers the implications of stylistic analysis for interpretation of Galatians.
The Style of Galatians 505
4. Sentence structure
Most of the sentences of Galatians are short and simple. Galatians
contains 2379 words organized into 149 sentences by my count. Thus
each sentence averages about 16 words in length. By contrast 2 Peter
averages 25 words per sentence.
However, Galatians contains several longer, more complex
sentences (26). One of these is an instance in which the periodic style is
used for ornament (27). The first of these longer, more complex
sentences is 1,1-5, the letter salutation.
a) 1,1-5
As is typical of letter salutations, this consists of naming the
senders of the letter (Pau'lo" ajpovstolo"…kai; oiJ su;n ejmoi; pavnte"
ajdelfoiv) and its recipients (tai'" ejkklhsivai" th'" Galativa"), and
greeting them (cavri" uJmi'n kai; eijrhvnh ajpo; qeou' patro;" hJmw'n kai;
kurivou ∆Ihsou' Cristou'). As is often the case in Paul’s letter
salutations, these elements of the salutation are elaborated in various
ways. The first sender of the letter is modified by three prepositional
phrases, on the last of which depends a participial phrase. The greeting
of the letter is a wish for grace and peace from God and the Lord Jesus
Christ. The latter is modified by a participial phrase, on which depends
a purpose clause, on which in turn depends a relative clause.
While Paul commonly elaborates the salutations of his letters, this
degree of elaboration is unusual. The only letter salutation that is more
elaborate than this is the salutation of Romans. The next most
elaborate after that of Galatians is the salutation of Titus. The length
and syntactical complexity of the salutation of Galatians alone suggest
that it is intended to make a good impression. However, it is also
ornamented in several ways. First of all, it introduces the metaphor of
Christians as the family of God. God is father (1,1.3) and Christians
are brothers (1,2). Second, the opening line contains alliteration – five
words that begin with a. Third, the three prepositional phrases that
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Curse, 115, 148-149, 187, n. 17); 2,16 (MORLAND, Rhetoric of Curse, 187, n. 17);
3,2.5 (MORLAND, Rhetoric of Curse, 115, 194); and understatement/litotes (see Ad
Herennium 4.50) in 5,8a (MORLAND, Rhetoric of Curse, 115, 147, 170) and 5,23b
(LONGENECKER, Galatians, 263; MORLAND, Rhetoric of Curse, 115, 231).
(26) Cicero recommends such use of different sentence types in Orator 211;
cf. also Demetrius, On Style 15.
(27) Ad Herennium lists the period among the figures of speech that can be
used for ornament (4.27).