Alexander Loney, «Narrative Structure and Verbal Aspect Choice in Luke.», Vol. 18 (2005) 3-31
In order to represent the actions of past-time narrative, Luke can choose
to employ either the aorist or the imperfect tense, that is, either the perfective
or the imperfective aspect. By selecting one tense over the other Luke
manipulates verbal aspect to give organization to his episodic narrative and
to create contrastive prominence (enargeia) within individual pericopes. In
this way, he follows in the tradition of his historiographical predecessors
–most notably Thucydides– who, through their subtle play with verbal aspect,
composed narratives concerned with at once the factual representation
of the past and their own contemporary, didactic purposes.
7
Narrative Structure and Verbal Aspect Choice in Luke
The aorist presents “an event whose completion constitutes the es-
sence of the speaker’s experienceâ€13. It “presents an event as relevant with
respect to a given vantage point (usually, but not necessarily, a speaker’s
“nowâ€)â€14. The aorist, thus, represents actions as “near†to the speaker,
whatever his location in the absolute time of his statement. Bakker ef-
fectively demonstrates, through numerous examples drawn from several
authors’ works of differing genres, that the aorist can refer to events that
are past, present, or future with respect to the moment of speaking. The
critical criterion is that the event described is viewed as a completed whole
by the consciousness that is perceiving the action. Bakker thus defines
the aorist as, strictly speaking, not a tense at all. It indicates “nearnessâ€
in the narrative or relevance to a given vantage point, rather than time,
as traditionally defined tense does.
Now let us turn back to Bakker’s two modes of discourse. The first
mode –the “discourse of the knowerâ€â€“ Bakker calls the diegetic mode,
after Plato’s terminology for the presence of the narrator in poetry.
Broadly stated, this mode of discourse, as it depicts historical material,
presents the events of the narrative in an overtly mediated manner with
the historian present “in the role of annalist or evaluatorâ€15. This mode
is roughly equivalent to the previously mentioned foregrounding/back-
grounding system of discourse16. Bakker argues that in this mode the
speaker records foreground information –the historical, factual, and
usually sequential acts of the narrative– in the aorist tense and records
background information –the circumstances and acts that are not pre-
cisely actual events of the narrative but the conditions that accompany
them– in the imperfect tense. Indeed, this distinction holds true even in
cases where there appears to be foreground material or narrative events
given in the imperfect, so long as the events described by the imperfect
are not fully part of the “historical recordâ€. This is often the case where
an event is referred to that has yet to occur within the view of the current
13
Bakker, Verbal Aspect, 26.
14
Ibid.
15
Ibid., 28. The historian’s presence in this mode of discourse is sometimes made
more obvious by the use of formulaic passages that indicate the narratorial perspective
in the presentation of the discourse. Bakker’s example of this is the 33 various instances
of Thucydides’s formula, “And that winter ended, and thereby the third year ended in the
war which Thucydides has describedâ€, (Ibid., 29-30, quoting Thucydides 2,103,2). Such for-
mulaic passages draw attention to the narrative as a construction and the narrative act as a
performance, with, in this example, the performer (Thucydides) overtly present by name.
16
For the theoretical basis of this paradigm, see P.J. Hopper, “Aspect and Foreground-
ing in Discourseâ€, Syntax and Semantics 12 (New York 1979) 231-41.