Fr. Sieg, «The Introductory Formula of Rev 4:1-2a in the Context of Traditions.», Vol. 18 (2005) 33-43
The formula of Rev 4:1-2a is composed of three phrases: 1. "Then, in
my vision, I saw"; 2. "a door open in heaven"; 3. "the same voice... With that,
the Spirit possessed me". The first and the second phrase, which serve to
introduce a new vision, were most likely taken from the Pseudoepigrapha of
the Old Testament, where they find plentiful analogies, as features of literary
style. For the third phrase we cannot find precise parallels in other sources.
The author of the article arrives at the conclusion that the subject of the
voice (4:1c) was the "One who was sitting on the throne" himself, who, by
means of his voice, introduces the visionary into a state of ecstasy.
38 Fr. Sieg
an insight to heaven and a contact23 with the “Divine Realityâ€24. However,
such interpretations require, in the light of the context, some kind of cor-
rection, namely, the visionary saw “a door open in heaven†not in order
to observe what is passing inside25, but in order to enter “heaven†in a
mystical way. The interpretation is proved by the context, where we find
a command to enter and a mention of an ecstatic state that is entering
“in spiritâ€26.
Just as the image of “heavenâ€, also the image of “open heaven†evolved
from a primitive, cosmological concept to the transcendent, spiritual
understanding, to be noted in the call visions (Ezek 1:1 ff; Isa 6:1 ff: sim-
ultaneous an auditive experience), and especially in the New Testament
(Mark 1:9, par.). We can, however, raise a question of how to evaluate
the motif occurring in Judaic literature of the intertestamental period in
the light of biblical tradition. Undoubtedly, some connections with this
tradition exist. It would, however, require an independent study of the
broader context to determine, in which Judaic texts the motif acquired
the transcendent character.
As far as the motif of Rev 4:1b is concerned, we should distinguish
between the form, which is traditional, and the function of the motif,
including its transcendent character, to which the broader context of the
Book testifies. It is the theological context that provides the basis for
understanding and interpreting the meaning of the traditional image
of “a door open in heaven†in its context of Rev 4:1b. Since the term
“heavenâ€, seen in the light of the broader context of Rev, does not denote
heaven in the horizontal or theological, but rather in the visual sense27,
it seems logical to conclude that in the phrase “a door open in heaven†it
refers to the visual heaven as well. Therefore the whole phrase determines
subjective conditions of the ecstatic vision.
23
In this way “the author is given an access to the contact with the supernatural, so
that he could learn future events, known to God onlyâ€. (Michon, “Znaczenieâ€, 189). See also
Swete, Apocalypse, 66, “In this vision a door only is opened, and not heaven as a whole, i.e.
the vision is limited to the Seer; only one who has been lifted up into the heavenly places
can see what is passing withinâ€. See also, J. Könn, Gott und Satan. Schriftlesungen über die
Geheime Offenbarung (Einsiedeln, Köln 1949) 145, “Nur durch heilige Schau können wir
zu einem Ahnen der göttlichen Grösse gelangenâ€.
24
Michon, “Znaczenieâ€, 189, “During the vision ‘the opening of heaven’ functions as
the stepping stone into the transcendent and into the meeting with Divine Reality as well as
testifies to God’s intervention into the worldâ€; Lentzen-Deis, “Das Motivâ€, 310, concludes his
discussion of the “open heaven†motif in 2 Bar 22:1 [and the context] with the words: “Die
Himmelsöffnung hat also im Rahmen dieser Elemente die Funktion, die Überschreitung der
Schwelle der „Transzendenz“, die Eröffnung der himmlischen Sphäre zu markierenâ€.
25
A. Bisping, Erklärung der Apokalypse des Johannes (Münster 1876) 92.
26
J.A. Bengal, Gnomon, Bd 2. Briefe und Offenbarung (Leipzig 41932) 780.
27
F. Sieg, Niewiasta i Syn w Apokalipsie sw. Jana 12 (Warsaw 1987) 105.