Isabel Cranz, «Ritual Elements in Zechariah's Vision of the Woman in the Ephah», Vol. 96 (2015) 586-598
This paper proposes a conceptual link between Zechariah's vision of the woman in the ephah (Zech 5,5-11) and Assyro-Babylonian exorcisms utilizing figurines. My comparison focuses on the integration of ritual elements in Zech 5,5-11. This analysis highlights the modifications that the ritual elements underwent before they could function as an integral part of a prophetic vision. The analysis of Zech 5,5-11 against the backdrop of Assyro-Babylonian exorcisms sheds new light on the manner in which the prophetic author(s) employed ritual material in his exemplification of sin and atonement.
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590 ISABEL CRANZ 590
III. The Figurine in a Vessel
As already stated, the custom of manipulating figurines was wide-
spread and employed in a variety of different situations in Assyro-Baby-
lonian sources. For the present purpose of comparing Zechariah’s vision
to Assyro-Babylonian exorcisms, we will focus on rituals in which fig-
urines are placed in vessels and buried. These rituals are featured in the
following texts: CT 23.15-22+, CT 23.19-21, BAM 323 and W 23287:91-
98. The first ritual to be discussed, CT 23.15-22+, dates to the Neo-As-
syrian Period and was found in Nineveh 17. This ritual was carried out in
response to an encounter between a living and a dead person and required
that the deceased person’s figurine be fashioned out of clay. It is then
placed in a gazelle horn which is later buried in the shade of a bush 18:
1. If a dead person ap[pears] to a living person […], [a figurine of the
dead person] you make out of clay, its name you write on his left
shoulder
2. Into a gazelle horn you place it, you [let it] fa[ce the sunset. Either in]
3. the shade of a baltu-thorn or in the shade of a ašāgu thorn,
4. You dig a pit and bury it. Be[fore Šamaš] he says the following
5. Incantation: “Šamaš, the ghost who was s[et on me and so pursues
me … ]
6. Let me praise you.”[He says] t[his three times … ]
It is noteworthy that the ritual is accompanied by an incantation to the
sun-god Šamaš. This god, who is often viewed as divine judge, is regu-
larly invoked in exorcisms against ghosts. Presumably, this is tied to the
notion that Šamaš travels through the netherworld, which allows him to
function as mediator between the living and the dead 19. An additional
point of interest is the place of burial as facing westwards during dusk. Pos-
sibly, this was meant to signal that the ghost was expected to follow the sun
into the netherworld 20. The request of placing a figurine in a vessel is found
in another ritual against ghost affliction, which was also discovered in Nin-
eveh (CT 23.15-22+) 21. Here two figurines are fashioned, one of the patient
and one of the ghost. The figurine of the living person is cleansed, while
17
See SCURLOCK, Magico-Medical Means, 2.
18
For transliteration and translation of this text, see SCURLOCK, Magico-
Medical Means, 202, text 12.
19
See SCURLOCK, Magico-Medical Means, 28-29.
20
Cf. SCURLOCK, Magico-Medical Means, 51. However, not every ritual
disposal of a figurine involved a journey to the west. Cf. SCHWEMER, Akkad-
ische Rituale, 71.
21
See SCURLOCK, Magico-Medical Means, 2.