Isabel Cranz, «Ritual Elements in Zechariah's Vision of the Woman in the Ephah», Vol. 96 (2015) 586-598
This paper proposes a conceptual link between Zechariah's vision of the woman in the ephah (Zech 5,5-11) and Assyro-Babylonian exorcisms utilizing figurines. My comparison focuses on the integration of ritual elements in Zech 5,5-11. This analysis highlights the modifications that the ritual elements underwent before they could function as an integral part of a prophetic vision. The analysis of Zech 5,5-11 against the backdrop of Assyro-Babylonian exorcisms sheds new light on the manner in which the prophetic author(s) employed ritual material in his exemplification of sin and atonement.
06_An_Cranz_586-598_coopia_586-598 10/12/15 10:35 Pagina 596
596 ISABEL CRANZ 596
less, the interpreting angel is not solely content with demonstrating the
land’s accumulation of guilt; instead he proceeds to uncover wickedness
which sits at the very core of iniquity. The removal of both iniquity and
its cause signifies a radical new beginning in which the foundation for
evil is uprooted. We are dealing here with a multidimensional visualiza-
tion of sin, the removal of which becomes a one-time event which stands
at the beginning of a new era. Unsurprisingly, therefore, the prophetic vi-
sion addresses not only one individual, but is specifically aimed at “all
the land” (Zech 5,6).
When we go on to compare the forms of communication used by rit-
uals and vision, we encounter even more deeply seated differences. As
pointed out already, the exorcisms can be understood as ritual perfor-
mances which take place before the gods who might choose to respond
or might remain indifferent. The rituals may contain indicators that their
performance will lead to the immediate desired results, yet they also work
to invoke the deities to intervene favorably on behalf of the supplicant.
The necessity of divine collaboration is reinforced by the observation that
the burial of the figurines is always carried out in conjunction with in-
cantations and prayers. This is seen, for example, in lines 4-6 of the first
text (CT 23.15-22+) which contain an incantation to Šamaš that is to be
recited after the figurine is buried. In the second text cited above (CT
23.19-21) the burial of the figurine is also followed by an incantation.
Likewise, the third and fourth examples (BAM 323, W 23287:91-98)
specify that incantations have to be recited as part of the burial process
taking place in front of the gods. Admittedly, the examples here appear
in broken contexts. Nonetheless, we know of other rituals in which the
figurines are raised up and presented to the deities before being buried or
otherwise discarded 42. If we turn to the vision, we see that the prophetic
scribe has reversed this direction of communication. Rather than humans
addressing the gods, the vision describes God as addressing his people
by way of the interpreting angel. This is already indicated by the fact that
the vessel and its content are not fashioned by human hands. Similarly,
Zech 5,5 describes how the interpreting angel orders the prophet to raise
his eyes and see. The angel presents the woman to Zechariah as indicated
emend the text in accordance with the Septuagint by reading ~nw[ which
means “their iniquity.” Not only does this make the most sense, but the scribal
mistake can be easily explained by the similarity between yod and waw. See
JEREMIAS, Die Nachtgesichte des Sacharja, 26, n. 23; PETERSEN, Haggai and
Zechariah, 254; STEAD, The Intertextuality of Zechariah 1–8, 199, n. 29;
KÖRTING, “Sach 5,5-11”, 478, n. 2; HALLASCHKA, Haggai und Sacharja 1–8,
243, n. 526; Z. ROKAY, Die Nachtgesichte des Propheten Sacharja. Eine
einzelexegetische Untersuchung (Frankfurt 2012) 112, n. 377.
42
For examples, see SCURLOCK, Magico-Medical Means, 134, n. 803.