Mark Leuchter, «Eisodus as Exodus: The Song of the Sea (Exod 15) Reconsidered.», Vol. 92 (2011) 321-346
This study continues a line of inquiry from the author’s previous essay regarding the 12th century BCE battle traditions embedded in the Song of Deborah (Judg 5) as the basis for a nascent Exodus ideology surfacing in the Song of the Sea (Exod 15). Exod 15 is identified as developing an agrarian ideal into a basis for national identity: Israel’s successful struggles against competing Canaanite military forces echoing earlier Egyptian imperial hegemony is liturgized into a myth where YHWH defeats the Egyptian foe and then settles his own sacred agrarian estate.
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EISODUS AS EXODUS: THE SONG OF THE SEA
land holdings in the central highlands. It is this dimension of the Ex-
odus myth to which prophets like Hosea refer when reminding their
audiences of the basis for the relationship between Israel and YHWH
(e.g., Hos 2,15-17). Rather than re-interpreting the wilderness wan-
dering traditions currently found in the Pentateuch, it reflects a con-
cept of the highlands as an unsown rbdm to which YHWH led his
people at the dawn of their relationship 100. It is for this reason that
when Hosea castigates Ephraim as rejected by YHWH for their be-
havior (Hos 1,9), the threats he pronounces are eventually expressed
in agrarian terms (Hos 9,16) 101. Mythically speaking, the Exodus that
forged the relationship between YHWH and Israel is inextricable from
the eisodus into the highlands.
Emerging from this mythic understanding were stark categories
both social and geographic. Israelite communities and the bound-
aries of their land holdings represented the created order emerging
from YHWH’s act of salvation. By contrast, the foreign nations and
the lands surrounding Israel’s territorial boundaries represented
mythic chaos, swimming in the primordial waters and kept at bay
only by Israel’s fidelity to YHWH and the sanctity of their own so-
cial institutions 102. So long as YHWH’s domination of the primor-
dial enemy (represented by Egypt in the poem) was recognized
and ritually rehearsed, Israel would remain planted in the land and
100
Compare to the Ugaritic cognate mdbr in CAT 1.23.65-69, depicted as
an unsown region beyond the divine homestead; see M.S. SMITH, The Ori-
gins of Biblical Monotheism (New York – Oxford 2001) 27-29. On Hosea’s
reference to Israel’s wilderness meeting with YHWH, see H.D. NEEF, Die
Heilstraditionen Israels in der Verkündigung des Propheten Hosea (BZAW
169; Berlin – New York 1987) 114-119. As NEEF notes, Hosea contrasts the
“wilderness†tradition with the degeneration of religious standards en-
trenched in the land. In contrast to NEEF’s view, however, Hosea does not ap-
pear to be reinterpreting a desert-wilderness tradition but is, rather, drawing
from an enduring concept of the transformation of the highlands from an un-
sown rbdm to a cultivated homeland akin to the dichotomy already attested
in the Ugaritic material.
101
So also the agrarian/horticultural imagery in the texts from Deut 32
and Jeremiah noted above.
102
See J.D. LEVENSON, Creation and the Persistence of Evil (San Francisco,
CA 1988) 123. See also M.S. SMITH, “The Structure of Divinity at Ugarit and
Israelâ€, Text, Artifact and Image: Revealing Ancient Israelite Religion (ed. G.
BECKMAN – T.J. LEWIS) (BJS 346; Providence, RI 2006) 46-47, for Canaanite
antecedents.