Mark Leuchter, «Eisodus as Exodus: The Song of the Sea (Exod 15) Reconsidered.», Vol. 92 (2011) 321-346
This study continues a line of inquiry from the author’s previous essay regarding the 12th century BCE battle traditions embedded in the Song of Deborah (Judg 5) as the basis for a nascent Exodus ideology surfacing in the Song of the Sea (Exod 15). Exod 15 is identified as developing an agrarian ideal into a basis for national identity: Israel’s successful struggles against competing Canaanite military forces echoing earlier Egyptian imperial hegemony is liturgized into a myth where YHWH defeats the Egyptian foe and then settles his own sacred agrarian estate.
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346 MARK LEUCHTER
safe within its boundaries. Those who could maintain the integrity
of those boundaries and the social order within them would thus
naturally hold cultic authority and be perceived as the agents of
the deity who empowered Israel into existence. Such figures in-
variably stand behind the poem in its current form and are likely
responsible for promulgating it within Israel’s evolving cult as the
atomism of individual kinship groups gave way to a greater sense
of inter-lineage accountability and affiliation.
Department of Religion Mark LEUCHTER
Temple University
Philadelphia, USA 19122
SUMMARY
This study continues a line of inquiry from the author’s previous essay
regarding the 12th century BCE battle traditions embedded in the Song of
Deborah (Judg 5) as the basis for a nascent Exodus ideology surfacing in
the Song of the Sea (Exod 15). Exod 15 is identified as developing an
agrarian ideal into a basis for national identity: Israel’s successful strug-
gles against competing Canaanite military forces echoing earlier Egypt-
ian imperial hegemony is liturgized into a myth where YHWH defeats the
Egyptian foe and then settles his own sacred agrarian estate.