Mark Leuchter, «Eisodus as Exodus: The Song of the Sea (Exod 15) Reconsidered.», Vol. 92 (2011) 321-346
This study continues a line of inquiry from the author’s previous essay regarding the 12th century BCE battle traditions embedded in the Song of Deborah (Judg 5) as the basis for a nascent Exodus ideology surfacing in the Song of the Sea (Exod 15). Exod 15 is identified as developing an agrarian ideal into a basis for national identity: Israel’s successful struggles against competing Canaanite military forces echoing earlier Egyptian imperial hegemony is liturgized into a myth where YHWH defeats the Egyptian foe and then settles his own sacred agrarian estate.
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322 MARK LEUCHTER
purely mythic character and its archaic language 5. The archaic lin-
guistic character of Exod 15 indeed suggests its antiquity, but it
cannot be used unconditionally to prove an early date. Contempo-
rary discussions of Biblical Hebrew linguistics have pointed to dif-
ficulties in linguistic features as a sure criterion in dating Hebrew
poetry. Though a lack of archaic forms is firm evidence for the
lateness of a work, the presence of archaic forms and patterns is,
for many scholars, not necessarily evidence of the antiquated ori-
gins of the work in which they appear 6. Linguistic evidence is sug-
gestive, but it must be viewed alongside other factors in order for
a more convincing case to be made for a work’s antiquity.
The recent study by B.D. Russell attempts to revisit the issue of
the poem’s compositional origins in just such a way 7. While advo-
cating the linguistic argument for an early date, RUSSELL offers sup-
port for the poem’s antiquity by virtue of allusions to the work in
other material including Psalms 74, 77 and 78 8, Isaiah 11–12 9, and
der Psalmen (FRLANT 148; Göttingen 1989) 96-115; S. KREUZER, Die
Frühgeschichte Israels in Bekenntnis und Verkündigung des Alten Testaments
(BZAW 178; Berlin 1989) 247-248; A. KLEIN, “Hymn and History in Exodus
15â€, paper presented at the 2011 Annual Meeting of the Society of Biblical
Literature (San Francisco, CA).
5
See, e.g., D.A. ROBERTSON, Linguistic Evidence in Dating Early Hebrew
Poetry (SBLD 3; Missoula, MT 1972) 152; CROSS, CMHE, 121-124. A sum-
mary of other scholars who assign an early date to the poem may be found
in the discussion of S.C. RUSSELL, Images of Egypt in Early Biblical Liter-
ature. Cisjordan-Israelite, Transjordan-Israelite, and Judahite Portrayals
(BZAW 403; Berlin 2009) 143.
6
For the most thorough and current discussion, see I.M. YOUNG – R.
REZETKO – M. EHRENSVAARD, Linguistic Dating of Biblical Texts (London
2008) I-II. Nevertheless, while linguistic evidence may not necessarily be
conclusive, when it is considered alongside other evidence it may indeed
provide useful corroborating evidence for dating certain compositions.
7
B.D. RUSSELL, The Song of the Sea. The Date of Composition and In-
fluence of Exodus 15:1-21 (SBL 101; Frankfurt a. Main 2007).
8
RUSSELL, Song, 113-130. Russell is uncertain regarding the date of
Psalms 74 and 77, but concludes that Psalm 78 is a late 8th century work. I
have argued elsewhere, however, that Psalm 78 originated in an earlier
Jerusalemite context before its inclusion into the Psalms of Asaph by the late
8th century; see my essay “The Reference to Shiloh in Psalm 78â€, HUCA 77
(2006) 1-31. The linguistic evidence RUSSELL cites for Psalm 78 as an 8th
century work (Song, 128-130) may be explained by successive rehearsal in
ongoing royal liturgical contexts; see below for more on this concept.
9
RUSSELL, Song, 109.