Andreas Hock, «From Babel to the New Jerusalem (Gen 11,1-9 and Rev 21,1–22,5)», Vol. 89 (2008) 109-118
There are some salient points of contact between the narrative of Babel, Gen 11:1-9, and the vision of the New Jerusalem, Rev 21:1–22:5. These parallels are starkly contrastive. Among the most stunning parallels are the way man’s initiative is
underscored in Gen, while God’s initiative is emphasized in Rev. Human accomplishment appears to be at the heart of the narrative in Genesis, whereas God’s accomplishment is presented in Rev. Moreover, worldly reputation is set in
opposition to heavenly fame, as well as a worldwide dispersion in Gen as it is being contrasted with a worldwide unification in Rev. The essay’s conclusion is that the protological text is brought to fulfillment in the eschatological one in an inverse archetypal sense.
114 Andreas Hock
to encounter the human race, to unite Himself with man (21). Remarkable is the
colossal inclusio between Rev 3,12 and 21,2, effecting a relationship of
promise and climactic fulfillment, of a final completion of all revelation.
Again, the comparison of Gen and Rev illustrates the axiomatic
difference between the human endeavor to presumptuously trespass God’s
heavenly sphere in Babel and the descent from God of a New City that brings
to fulfillment the Incarnational event of the Son of God (22).
5. From poihvswmen eJautoi'" o[noma (Gen 11,4) to ojnovmata ejpigegrammevna
(Rev 21,12)
Then we see the settlers of Shinar animate one another, saying: “Come,
let us make a name for ourselves!†Is this not one more instance of human
disobedience (cf. Gen 2–3; 4,1-9; 6,1-8), the refusal to accept one’s place as a
human in the universe under God, invoking and magnifying His name?
Abraham will be told by God, in contrast, “I will make your name greatâ€, Gen
12,2; and a further reversal occurs when God makes David’s name great, 2
Sam 7,9.29. The hint of blasphemy throughout the narrative, however, turns
on the synonymy between the verb “to make†(poihvswmen eJautoi'" o[noma),
used for building the tower and the term of divine creation.
For the sake of comparison let us again turn to the vision of the New
Jerusalem, Rev 21,12-14: “It has a great, high wall with twelve gates, and at
the gates twelve angels, and on the gates are inscribed the names of the twelve
tribes of the Israelites [...]. And the wall of the city has twelve foundations,
and on them are the twelve names of the twelve apostles of the Lambâ€.
Therefore, those names are not given by man but by God (23). They represent
His design of history and eternity (24); they are meant to honor those who have
followed the Lamb wherever He went. Ultimately, those names redound to
God’s own glory.
Consequently, the prideful project of human beings desirous of self-
exaltation and self-glorification was to be a failure, whereas the humility and
self-forgetfulness of the followers of the Lamb is eternally rewarded by God.
(21) There is an intertextual difference between the Hebrew tradition where people go to
meet the final City, and Revelation where this City comes to meet people.
(22) “Jerusalem has become the meeting point between heaven and earthâ€. W.J.
DUMBRELL, The End of the Beginning. Revelation 21–22 and the Old Testament (Moore
Theological College Lecture Series 1983; Grand Rapids, MI 1985) 31.
(23) See also the new name given to the victor, Rev 2,17.
(24) The fact that the names of the apostles are inscribed on the foundations and those of
the sons of Israel on the gates, seems to indicate the seer’s intention to signal the return of
Israel into the salvation community on the basis of the faith of the apostles. Chronologically
it would appear to be more coherent if the tribes of Israel were on the City foundations and
the names of the apostles on the gates. Yet theologically, the apostles are the real foundation
of the Church as the people of God, and only through them the Old Covenant people enter
the City. To counterbalance this sequence, Israel is mentioned first. Hence, Old and New
Testament are ingeniously joined. Hence, the historical and the descriptive order stand in
inverse position.