Andreas Hock, «From Babel to the New Jerusalem (Gen 11,1-9 and Rev 21,1–22,5)», Vol. 89 (2008) 109-118
There are some salient points of contact between the narrative of Babel, Gen 11:1-9, and the vision of the New Jerusalem, Rev 21:1–22:5. These parallels are starkly contrastive. Among the most stunning parallels are the way man’s initiative is
underscored in Gen, while God’s initiative is emphasized in Rev. Human accomplishment appears to be at the heart of the narrative in Genesis, whereas God’s accomplishment is presented in Rev. Moreover, worldly reputation is set in
opposition to heavenly fame, as well as a worldwide dispersion in Gen as it is being contrasted with a worldwide unification in Rev. The essay’s conclusion is that the protological text is brought to fulfillment in the eschatological one in an inverse archetypal sense.
From Babel to the New Jerusalem 117
durable unity (34). In one word, the heavenly City is an image for the nuptial
communion between God and Lamb on the one hand, and humanity on the
other.
Thus, the contrastive reversal between the dispersation of the population
of Babel and the unification of all peoples in the New Jerusalem could not be
more explicit and complete.
*
**
Looking back over the above essay, we come to the conclusion that the
actors in the story of the city/tower of Babel, God and humanity, are working
to opposite purposes, and the name, i.e., reputation, they expect to achieve is
entirely different from the name they do achieve, Babel, i.e. Confusion. What
humanity does, God undoes. However, the image of the Heavenly City
remedies the confusion by highlighting the eschatological coming of God to
repatriate humanity.
Therefore, the profiling of this City, we would argue, is more than a
creative reinterpretation of the Ezekelian temple (Ezek 48,30-35), or of the
Trito-Isaian “vision†of chapters 60–62 (see also Isa 1,8; Jer 4,31; 4 Ezra 9,38-
39, where the bride was seen as a prototype of the existing salvation
community), or even of the anti-image of Babylon (Rev 17). At the close of
our reflections it becomes clear that the New Jerusalem is the inversion of
Babel: we might call it an inverse-archetypal relationship. A literary antithesis
is accomplished between the city/tower of Babel and the New Jerusalem. In
the latter the profuse apocalyptic imagery flows into one ultimate image, that
of theanthropic oneness (35). The protological event of Babel finds its
fulfilment in the eschatological City.
Unification is achieved only by and in Christ who sends out His Spirit to
unite peoples and languages on Pentecost (cf. Acts 2,5-12; Rev 7,9-10).
Language used to promote a human agenda turns into language used to
announce the “mighty works of Godâ€, Acts 2,11. From Babel peoples are
scattered in judgment; from Jerusalem they scatter to spread the good news,
which would eventuate in worldwide unity. But we now have to add a further
moment of unification: that of the Holy City. Thus, a thread runs through
history from Babel (Gen 11) to the pentecostal Jerusalem (Acts 2), and from
the fallen Babylon (Rev 17) to the eschatological Jerusalem (Rev 21).
A closing thought: In an age of globalization, humanity is invited and
urged by the stories of Babel and the Heavenly City to consider using the
things that we have in common to glorify God rather than to make a name for
ourselves! Human beings still fail to follow God’s command to fill the earth.
Rather, they try to come together, challenge their earthly finitude, and
approach God’s own dwelling. So after all this time humanity has not
(34) Cf. G.P. HUGENBERGER, Marriage as Covenant. A Study of Biblical Law and
Ethics Governing Marriage Developed from the Perspective of Malachi (VTSup 52; Leiden
– New York – Köln 1994).
(35) This dynamic passing from many symbols towards a single one, i.e., the Covenant,
is underscored also by G. Borgonovo (La notte e il suo sole. Luce e tenebre nel Libro di
Giobbe. Analisi simbolica [Roma 1995] 45).