Paul Himes, «The Use of the Aorist Imperative in the Pastoral Epistles», Vol. 23 (2010) 73-92
In light of recent developments in the study of Koine Greek, this paper proposes to examine the difference between the aorist imperative and the present imperative in the Pastoral Epistles. The first section of the paper surveys the various scholarly positions on the imperative mood (including the prohibitory aorist subjunctive). The second portion of this paper examines every use of the aorist imperative and the aorist prohibitory subjunctive in the Pastoral Epistles, while the third section draws some conclusions based on this analysis. This paper concludes that the aorist tense should be regarded as the default, generic tense (but not necessarily the “background tense” as verbal aspect theory argues), and that its only significance lies in its insignificance. In contrast, however, the present tense does seem to possess a durative/habitual sense.
88 Paul Himes
however, some observations may be made and some misunderstandings
corrected.
To begin with, the whole issue of “aspect” vs. “aktionsart” becomes
incredibly complex within the imperative mood. One is forced to ask
whether or not a subjective portrayal of an action even makes coherent
sense within the imperative mood (in contrast with the indicative mood).
In other words, is it possible for a speaker or writer to speak of the internal
makeup of a command in a subjective sense while giving that command?
What would be the point of using a present imperative if the speaker did
not necessarily want the hearer to do something repeatedly/habitually/
etc. but only meant the present tense for his or her own perspective?
To clarify, consider the difference between an indicative and the
imperative. If verbal aspect theory (specifically Porter’s form61) holds
true, the use of a present tense as opposed to an aorist in a narrative or
epistle does not necessarily mean that the action is or was continuous, but
rather that the action was simply being portrayed that way by the speaker
or writer and/or used for (more or less) stylistic purposes. He or she may
have used the present tense (even if it does not have a durative/iterative/
habitual aktionsart) to emphasize it and bring it to the “foreground”62.
Yet an imperative differs from an indicative in this regard: the speaker
in actuality desires something to take place. Thus would a speaker or
writer naturally think of “style” or “foregrounding” when giving a
command? In literature the answer would be (potentially) yes, but it
is difficult to picture the average 1st century imperial officer or Greco-
Roman household master stopping in mid-command to determine
whether or not he should “foreground” or “background” his command
(and it is difficult to understand why his subordinate would even care!).
Consider 2 Tim 4,1-5. It is difficult to see how, if Timothy (or the
church as a whole) was having somebody read the letter to him, style or
foregrounding would matter in the imperative mood as much as it would
in the indicative63. If Timothy (and the church) is intent on obeying Paul’s
commands/requests, why does it matter which request is foregrounded
and which is backgrounded? Are not all of them requests that must be
followed?
61
To be fair, Porter does not seem to extend all of his observations regarding the indica-
tive to the imperative, yet neither does Porter take great pains to distinguish the function of
aspect in the imperative from the indicative. As noted above, see his discussion in Idioms
53-54.
62
As Porter argues for verbs in general in Studies 15-16.
63
Of course, if we view the Pastorals strictly as literary documents rather than personal
letters (or a combination of the two), the problem would disappear. This writer, however,
is not inclined to do so.