Joost Smit Sibinga, «From Anointing to Arrest. Some Observations on the Composition of Mark 14:1-52», Vol. 23 (2010) 3-35
The article investigates the composition of Mark 14:1-52, in particular the words of Jesus, who speaks 14 times, including the four "Amen-words". The analysis is based mainly on the number of syllabes but also on the number of words used in the text. It reveals an ingenious design of considerable refinement and complexity. Mark"s composition method appears to be determined by a remarkable sense of order and technical precision and by a high degree of professional literary skill.
From Anointing to Arrest. Some Observations on the Composition of Mark... 35
beginning, a middle and an end; at a certain stage of the composition
process it was considered as a unit.
That the four Amen-sayings (items ## 10-13 in Mark’s series of
thirteen) stand out as a class by themselves causes no surprise.
The function of the ‘Annexes’ may well require a few more words.
It is twofold. In the first place the ‘Annexes’ supplement the sayings
without an Amen-formula in such a way that the composition as a whole,
measuring 765 s. in toto, is shown to be made up of 153 s. in the Amen-
sayings over against 612 s. ( = 4 x 153 s. ) in all the other words spoken
by Jesus, since these 612 s. consist of the 500 s. in the class ‘incipit aliter’,
just mentioned, plus 112 s. in the ‘Annexes’. § 8.1.1 could have used the
formula y + 4y = 5y, y representing 153 s.
Secondy, the ‘Annexes’ also combine with the Amen-sayings. To
Amen-sayings (a) and (c) they provide an introduction and a setting, and
they divide the whole series of four Amen-sayings in two parts. Together
with the first ‘Annex’ (Mark 14:6b-8), Amen-sayings (a) and (b) use 159
(= 3 x 53) s.; (c) with the second ‘Annex’ (Mark 14:24b) and (d) use 106
(= 2 x 53) s. The proportions are clear and simple, the aliquot part is 53 s.
(see § 8.2). It would seem the author studied and shaped or reshaped the
‘annexes’ with both functions in mind.
All this may not be of much concern to the casual reader. Anyone
investigating the Markan story and its design closely, however, will want
to take the textual facts seriously. He will find the use of the syllable
as one of the basic measuring units indispensable for determining the
making of the text, and for understanding its form, structure and internal
proportions.
On the whole, studying this part of the Passion narrative from a
numerical point of view, we found Mark’s composition method to be
determined by a remarkable sense of order and technical precision and
by a high degree of professional literary skill.66
Joost SMIT SIBINGA
Koepellaan 4
2061 CV Bloemendaal
HOLLAND
sibinga7@xs4all.nl
66
I am very grateful to Dr. S.P. Brock of Oxford, U.K., who checked and improved the
English idiom of this contribution, and to Professor Maarten Menken of Tilburg Univer-
sity, whose kind remarks suggested several corrections. The remaining mistakes and short-
comings are all mine.