John Byron, «Slaughter, Fratricide and Sacrilege. Cain and Abel Traditions in 1 John 3», Vol. 88 (2007) 526-535
Cain symbolizes the antithesis of brotherly love and stands in direct contrast to Christ. The choice of terminology used to describe the slaughter of Abel in 1 John 3,11-18 retains the ritual overtones that pervade the original story in Genesis 4. This terminology was often used to describe murders linked to a ritual act as well as fratricide. The ritual overtones in the passage emphasize the contrast with Christ. By linking those who 'hate their brothers' with Cain, the author of 1 John accused them of an act that stood in contrast to the self-sacrificial act of Christ. Hatred of others meant they were guilty of communal fratricide, which is a sacrilege.
Slaughter, Fratricide and Sacrilege Cain and Abel Traditions 533
explanatory note stating: “Slaughtering is a metaphorical and very strong
expression for fratricide†(26). Unfortunately, no evidence is offered that
conclusively supports this claim. There are some passages in Philo and
Josephus, however, which do seem to point in this direction.
Philo uses sfavzw twice to accuse Caligula of slaughtering his brother.
Although specific fratricide terminology is not present it is clear that this is
what Philo had in mind (Embassy 87, 92). In light of 1 John 3, it is also
interesting that Philo contrasts this accusation of fratricide with the brotherly
love (filadelfiva) of the Dioscuri two brothers who, according to the myth,
shared Zeus’ gift of immortality with one another (27). It is surprising,
however, that Philo never uses sfavzw to describe Cain’s murderous act,
despite the vehement language that he consistently uses to vilify Cain.
Unlike Philo, Josephus does describe Cain’s killing of Abel as an act of
slaughter (Ant. 1.67). Moreover, in Antiquities 13.314, Josephus combines the
language of fratricide and slaughter to describe Aristobulus’ murder of his
brother Antigonus. The scene, as described by Josephus, is Aristobulus’ death
at a time when he had become ill and was losing blood. As a servant was
carrying away a bowl of the dying man’s blood he slipped and spilled the
blood on the very spot where Antigonus had been murdered. This caused a
cry to go forth which alerted Aristobulus to the fact that God had noticed what
had happened and that he would not escape the consequences for his impious
act. Aristobulus died immediately. Interesting here is the possible echoes of
the Cain and Abel story. Just as the crying blood attracted God’s attention to
the slaughtered Abel (Gen 4,10) so too the cry over spilled blood attracted
God’s attention to the fratricidal slaughter of Antigonus. While neither Philo
nor Josephus’s use of sfavzw supports the claim that it is a “metaphorical and
very strong expression for fratricideâ€, they do understand fratricide as an act
of slaughter that could be seen as analogous to Cain’s treacherous slaying of
Abel.
But we need not restrict ourselves to a lexical study to corroborate the
suggestion that some ancient interpreters viewed Cain’s killing of Abel as a
form of sacrifice. An examination of the traditions demonstrates that this was
not an unusual way to interpret Cain’s murder of Abel. For instance, Genesis
Rabbah provides three different possible scenarios for how Cain killed Abel.
With what did he kill him? R. Simeon said: He killed him with a staff:
And a young man for my bruising (Gen 4:23) implies a weapon which
inflicts a bruise. The Rabbis said: He killed him with a stone: For I
have slain a man for wounding me (ib.) indicates a weapon which
inflect wounds. R. Azariah and R. Jonathon in R. Isaac’s name said:
Cain had closely observed where his father slew the bullock [which he
sacrificed, as it is written], And it shall please the Lord better than a
bullock (Ps 69,32), and there he killed him: by the throat and its organs
(Genesis Rabbah 22,8).
(26) MICHEL, “sfavzwâ€, TDNT, VII, 934.
(27) Pollux was granted immortality by Zeus, but he persuaded Zeus to allow him to
share the gift with his brother Castor. As a result, the two spend alternate days on Olympus
(as gods) and in Hades (as deceased mortals).